Saturday, May 07, 2011

At The Loft: Super

SUPER: Movie Trailer. Watch more top selected videos about: Kevin Bacon, Nathan Fillion

Being that the only two posts of 2011 thus far have both come on the heels of tragedy, in a sense, I think it's time to lighten things up a bit.

Tonight we went to see Super at The Loft.

It's a little weird because it borrows from a few different genres, making it feel at times like a movie that doesn't know what it wants to be.

The excessively graphic violence is congruous with the comic book genre, for example, but perhaps the more tender, human moments make scenes where heads get bashed in or blown apart even harder to stomach. (For more relevant theorization on the topic of violence in film read "Masculinity as Excess in Vietnam Films" by Susan Jeffords.)

I was hoping the presence of Ellen Page (playing the side-kick) was an indicator that the film does something beyond typical Hollywood gender roles, (I'm thinking about Hard Candy) but...meh, not so much. The side kick is just that, a side kick. In this case Page's character, Libby, is played like an overly enthusiastic junior antihero-cum-sacrificial lamb. Liv Tyler plays a whore of circumstance who needs saving. Pretty predictable female roles.

What I do like, however, is that the film has some "heart," if you will. Frank, (played by Rainn Wilson of The Office fame), starts out as someone who can only recall two perfect moments in his life. By the end of the film things have not gone the way he wanted, but he gains something precious: he has collected an arsenal of perfect moments. He represents them in naive-style drawings but we aren't compelled to belittle them. Instead, we are brought to acknowledge that this really is the magic stuff of life: any chance we have to share and connect with others, a scene as quotidian (and moving) as a moment of affection between a person and their pet rabbit.

Having seen this movie shortly after, Megamind, I have to wonder if the antihero is on the rise. I'd like to believe films like these are a sign of how collectively tired we are of oversimplified "bad guy/good guy" constructions in current-day dominant media representations related to war situations in which the United States is currently embroiled. I mean, I'd like to believe that.

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